All work and play

I think that the best part of my work is that so many times it feels just like play. I´m now working on the December issue of my e-zine but stamping all these words just make them look and feel so much better.

Life in Panama

The other day I was painting away on my balcony. There´s plenty of sea view (I can even see the entrance to the Canal) but there´s also this view:



And as latin as Panama is, everytime I step on the balcony (be it to water my plants or hang clothes to dry), I hear the men working there whistling and shouting comments. This may sound like I´m bragging, but hearing the comments you´d know that I´m not. Just not.

Anyway, so the other day I was painting and I start hearing this guy shouting and shouting, and repeating the same word over and over. Normally I just ignore it as white noise and concentrate on the waves, but this time it surfaced to conscience.

I pause. I look over.

There´s this guy, holding his protective yellow helmet on one hand, waving and shouting: "paint me! paint me!".

I wonder what he´d think if I asked him to model. In the nude.

Anyway, I finished my first canvas here in Panama:



(...and I really, really need to replace my camera. It will be 6 years old in February.)

Issue #6 of "We´re in Panama!"

November issue of "We´re in Panama!" is now online! As usual, it´s free to download, and you can find it here. Print it out and enjoy it!

I love receiving all your comments and e-mails, so this month I´ll be raising the feedback bar: I´m preparing a presentation about my e-zine and want to include photos of readers - of you. Please send me your images of you, your kids, your friends reading this e-zine, or this e-zine travelling to different parts of the globe. The best images will be included in the presentation!

Oh, I can´t wait!

Enjoy reading it!

Buenos Aires revisited

Going back to Buenos Aires felt a bit like going home. I needed to get a haircut, to visit my osteopath, buy some buttons (as if there were no buttons in Panama) and go to my favourite restaurants.





I didn´t visit one single museum - but I walked and walked, sat under the blooming jacarandas and took my sketchbook out to draw.



I had tea with friends, making up for a social life I still don´t have in Panama. I realized, those ties and friendships I created there were thicker and deeper than I had thought.

I saw Christmas decorations (this is end of November, already?) and felt cold, after six months of hot, humid weather. There was cold wind and sleeping with a blanket, hot sun and lots of blooming roses at the Rosedal de Palermo.



There was the girl in Osaka who recognized us and helped us with an off the menu request - she made me happier than she knows. As if it weren´t enough, I bought myself a good, solid portion of choc-salt cookies. And for once the lack of coins served my purpose: change was given in cookies. Oh, yum!



After five days of walking, feeling, experiencing a return to a city where I lived, where I was happy (and unhappy too), where I met so many new friends and met a new me, I came back to my new home in Panama. We´ll see where this ride takes us.



(Guess who came along?



Oh yeah.)

After many, many months...

...I´m painting again and it feels so good. I missed all the brushes and colours and the freedom they contain in themselves.

Painting makes me happy.

(more photos here)

Just because it´s pretty

(photo taken back in October in Bocas del Toro, Panamá. Nice, nice place to visit, but remember to bring mosquito repellent.)

A first: azulejos!

Sometime ago my friend A. asked me to design a panel of portuguese traditional, hand-painted tiles ("azulejos") to match the coat-hanger she wanted to have by the main door in her new flat.

I was thrilled with this project! Not only it was the first time I ever designed an azulejo - I studied lots and lots of designs when I was in university, but unfortunately never got to design my own -, but also because I love, love patterns and that chemistry that happens when you put modules side by side and repeat them.

The brief was to design something that was based in traditional patterns, but with a modern twist. I came up with a design and crossed my fingers. The tiles were brilliantly executed at Azulejaria Santiago, where they were brilliantly hand-painted and later installed in their spot.

I´m thrilled with the result and looking forward to working again with patterns and azulejo!

(Not so much a) sidenote: if you´ve ever been to Lisbon and rode the subway or just wandered around the streets, you´ll know how much azulejo tiles are used in public spaces. One of the greatest panel designers is the living legend Maria Keil, a huge inspiration to me. Check out some of her work by clicking here.

All images by Christophe Sauvage.